Erect and resolute against Barcelona‘s skyline, the Sagrada Familia isn’t just an architectural enigma—it stands as a testament to the intricate metaphor of human artistry versus spiritual depth, etched into stone and through its complex layers of intricate sculpture. Beyond the tangible elements of concrete, stone, wood, and glass, this colossal narrative unravels through the interplay of concrete and steel—a play of architectural sculpture attempting to transcend time and space.

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Sagrada facade_©https://theboutiqueadventurer.com/famous-landmarks-in-europe/

Within the elaborate and somewhat proliférons façade lies a trove of mysteries embedded in sacred symbols. Exploring these iconic symbols unveils a world of intricate and hidden messages through powerful symbolism, inviting us into a realm where faith and spirit converge to transcend conventional architectural norms, revealing a profound yet simple narrative providing important clues about life and what is yet to come.

Understanding the Symbolism:

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The roots of the Sagrada Familia stretch back to 1866 when devoted believers envisioned honouring St. Joseph with a temple. Its inception mirrors an ordinary yet profound simple story—a testament to an ordinary  “family,” used extraordinarily by a more powerful creator echoing the values of a righteous man beyond religious affiliations as a mark of what is of true importance in the rites of worship. 

Initially directed by architect Don Francisco de Paula del Villar y Lozano, the project faced abandonment due to disagreements. Yet, Antoni Gaudí, the continued visionary, took charge in 1883, redefining the saga through a divine dream transcending human and spiritual realms with successive alterations and changes in what would transpire to be over a century of involvement. 

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Gaudi’s commitment and ground-breaking innovation in architectural design testify to his dedication to this monumental edifice. His approach wasn’t solely about innovation but also about a deep-rooted spiritual connection—an amalgamation of the human spirit with divine inspiration and co-creation of resulting works in the physical.

Gaudí’s Unfinished Vision

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the prophet’s early vision_©https://99percentinvisible.org/episode/la-sagrada-familia-2/

Despite his relative obscurity during his lifetime, Gaudí’s profound legacy speaks volumes about his unwavering commitment. His unconventional choice to reside within the construction site—unheard of at the time when the elite distanced themselves from those with perceived lower status or income—considering the site a laboratory for innovative practice, echoes his devotion to both his craft and spirituality. His life wasn’t just about design; it was about living his convictions—actively engaging in the education and upliftment of construction workers’ children—through the provision of schools for their upliftment onsite, a testament to his deeply ingrained commitment in an era where this was stigmatized and ridiculed.

Recognized as “God’s architect,” Gaudí devoted himself exclusively to his work and Catholic faith. 

As he aged, his religious fervour intensified, marked by extreme fasting, abstaining from meat and alcohol, and a devout daily ritual of Mass and prayer. The loss of his close associates in the early 1910s drove him deeper into his architectural creations. By 1914, he secluded himself entirely within the Sagrada Família, distancing himself from other endeavours and shunning interviews. This isolation witnessed a marked deterioration in his outward appearance, a reflection of a man consumed by his mission, and much like the prophets of old, paying more attention to the content rather than the packaging of his message.

Tragic End and reversing interpretations:

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Gaudí’s life culminated tragically on June 7, 1926. Struck by a tram while on his daily path to confession, Gaudí’s unkempt appearance led bystanders to mistake him for a beggar, perhaps even a homeless man, succumbing to the world’s preoccupation with external appearances, which persists today. Consequently, immediate aid was withheld. Despite his severe injuries and loss of consciousness, delays occurred in getting him to the hospital due to taxi drivers’ reluctance. Dr. Ferrer Solervicens examined him at the scene, deeming no interventions viable.

Eventually, a police officer transported him to the Hospital de la Santa Creu, where he received basic care akin to a pauper’s treatment.

Gaudi’s untimely and tragic demise accentuates the expiatory nature of the temple’s construction—funded entirely by voluntary donations, emphasizing the absence of monetary motivation in his later life’s work. This narrative intertwines with the essence he embedded within this architectural marvel—a homage to the mystery and glory of God, a step-by-step expression of a larger narrative a story we only know and can understand in bits and pieces trusting a larger narrative of a universal creator who often uses the despised and rejected as the cornerstone to display His true message and glory.

Enigmatic and Unsolved Mysteries

Hidden within the intricate façades of Sagrada Familia—Nativity, Passion, and the ongoing Glory—lie concealed narratives waiting to be deciphered. Intriguing details such as the turtles, pelicans, and enigmatic number patterns of the mystery number 33 potentially linked to freemasonry, add layers of intrigue. This symphony of symbols invites architectural professionals and students alike to delve deeper, unlocking universal messages hidden within.

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The 18 towers speak of prophets, including Christ, Mary, and other apostles—perhaps not coincidentally coinciding with the herald of a new faith, dawn of God’s glory in later years with the number 19, a kind of passing on of the baton to a new order and a new religion wherein the number coincides with new predicted cycle, a societal blueprint and a new calendar for an emerging kingdom and era.

Reflections and Ongoing Revelations:

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In spirit and truth- Pelican Sculpture, Sagrada Familia, Barcelona_©https://www.flickr.com/photos/amthomson/5758943729

Sagrada Familia isn’t merely a structure—it’s a living narrative—a visual symphony that raises questions and invites interpretations. This architectural edifice provokes reflection among architects and enthusiasts, engaging them in an exploration of the interplay between spirituality, innovation, and societal impact—through a controversial facade no less- a facet often overlooked, and many times avoided in conventional architectural circles and studies.

In the words of Leonard Bernstein, “A work of art does not answer questions but provokes them and is essential meaning us the tension between the contrary answers” Sagrada Familia stands as an embodiment of this ethos, stirring conflicting thoughts among architectural professionals and students. Its symbolism and depths extend an ongoing invitation—a testament to the human condition, spiritual mysteries, and an unending quest for architectural meaning—a ceaseless journey where the human spirit seeks communion representation and understanding of the profound mysteries and messages of its creator—however imperfect the medium—through the replication of meanings and symbols of the timeless that continue to reignite the message of rebirth and redemption.

The turtle symbolizes the world and the earth in ancient aboriginal communities, connected to the story of a being responsible for bringing heaven’s star and light to the earth. The pelican, known for drawing its blood to feed its young, is a powerful testimony of Christ’s sacrifice and an indication of when our world is being off-balance and requiring readjustment.

Lastly, the number 33’s magic square invites architects to delve further. This number denotes mastery and the need to foster collaboration and unity. It’s no surprise that Isaiah 33 talks about the physical boundaries of God’s glorious kingdom, living in security, and finding God after failure. Perhaps as we near his centennial in 2026, no building attests to it better than the edifice that was his life.

References: 

  1.  Hampshire, C., 2019. Between-Exploring the Ineffable in Search of the Sacred: Defining and Developing the Architecture of Experience.
  2.  Sharp, D., 2002. Twentieth century architecture: A visual history. Images Publishing.
  3.  Spārītis, O., 2013. Sculpture and environmental design in the cultural landscape of the European countries and Latvia. Landscape architekture and art, 2, pp.30-40.
  4.  Thomas, D. and Thomas, D., 2018. The Masters and Their Structures. Masters of the Structural Aesthetic, pp.47-107.
  5.  Giralt-Miracle, D., 2015. Essential Gaudi. Libros de Vanguardia.
  6.  Porter, T., 2004. Archispeak: an illustrated guide to architectural terms. Routledge.
  7.  Hodapp, C., 2010. Deciphering the Lost Symbol: Freemasons, Myths and the Mysteries of Washington, DC. Ulysses Press.
  8.  Marine-Roig, E., 2015. Religious tourism versus secular pilgrimage: The basilica of La Sagrada Família. International Journal of Religious Tourism and Pilgrimage, 3(1), p.5.
  9.  McGlinn, S., 1999. A Theology of the State from the Bahai Teachings. J. Church & St., 41, p.697.
Author

Meet Pria, a Vadodara-born architect living in Canada since '97. Hailing from the south, schooled in Montreal, Ooty, Bangalore and Ottawa, she pioneers participant-led design, cultivating new narratives and catalyzing transformational change. With a architectural journey spanning the UK, Latin America, Canada India and remote island states, she sparks connections, fuels conversations, and fosters community convergence.